dc.contributor.author | Iversen, Gunnar | |
dc.date.accessioned | 2018-06-06T08:05:18Z | |
dc.date.available | 2018-06-06T08:05:18Z | |
dc.date.created | 2017-06-26T16:05:44Z | |
dc.date.issued | 2017 | |
dc.identifier.issn | 0804-8452 | |
dc.identifier.uri | http://hdl.handle.net/11250/2500500 | |
dc.description.abstract | The most successful film producer in Norway in the period 1949 to 1959 was Otto Carlmar, whose company, Carlmar Film Ltd., which he owned and ran together with his wife Edith, is unique in Norwegian film history. In the space of ten years, the company produced nine feature films. In this article, I examine how Carlmar Film functioned in securing surplus and continuity through different strategies of production and launching, and discuss the company in an historical context. | nb_NO |
dc.language.iso | eng | nb_NO |
dc.publisher | Universitetsforlaget | nb_NO |
dc.rights | Navngivelse-Ikkekommersiell 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/deed.no | * |
dc.title | ’Men det blir dyrt!’ | nb_NO |
dc.type | Journal article | nb_NO |
dc.type | Peer reviewed | nb_NO |
dc.description.version | publishedVersion | nb_NO |
dc.source.volume | 24 | nb_NO |
dc.source.journal | Norsk Medietidsskrift | nb_NO |
dc.source.issue | 1 | nb_NO |
dc.identifier.doi | 10.18261/issn.0805-9535-2017-01-03 | |
dc.identifier.cristin | 1478986 | |
dc.description.localcode | This article is downloaded from www.idunn.no. © 2017 Author(s). This is an Open Access article distributed under the terms of the Creative Commons CC-BY-NC 4.0 License (http://creativecommons.org/licenses/by-nc/4.0/). | nb_NO |
cristin.unitcode | 194,62,35,0 | |
cristin.unitname | Institutt for kunst- og medievitenskap | |
cristin.ispublished | true | |
cristin.fulltext | original | |
cristin.qualitycode | 1 | |