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dc.contributor.authorIversen, Gunnar
dc.date.accessioned2018-06-06T08:05:18Z
dc.date.available2018-06-06T08:05:18Z
dc.date.created2017-06-26T16:05:44Z
dc.date.issued2017
dc.identifier.issn0804-8452
dc.identifier.urihttp://hdl.handle.net/11250/2500500
dc.description.abstractThe most successful film producer in Norway in the period 1949 to 1959 was Otto Carlmar, whose company, Carlmar Film Ltd., which he owned and ran together with his wife Edith, is unique in Norwegian film history. In the space of ten years, the company produced nine feature films. In this article, I examine how Carlmar Film functioned in securing surplus and continuity through different strategies of production and launching, and discuss the company in an historical context.nb_NO
dc.language.isoengnb_NO
dc.publisherUniversitetsforlagetnb_NO
dc.rightsNavngivelse-Ikkekommersiell 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/deed.no*
dc.title’Men det blir dyrt!’nb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.volume24nb_NO
dc.source.journalNorsk Medietidsskriftnb_NO
dc.source.issue1nb_NO
dc.identifier.doi10.18261/issn.0805-9535-2017-01-03
dc.identifier.cristin1478986
dc.description.localcodeThis article is downloaded from www.idunn.no. © 2017 Author(s). This is an Open Access article distributed under the terms of the Creative Commons CC-BY-NC 4.0 License (http://creativecommons.org/licenses/by-nc/4.0/).nb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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Navngivelse-Ikkekommersiell 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Navngivelse-Ikkekommersiell 4.0 Internasjonal