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dc.contributor.advisorLøfaldli, Eli
dc.contributor.authorStauri, Knut Erik
dc.date.accessioned2020-07-16T16:02:28Z
dc.date.available2020-07-16T16:02:28Z
dc.date.issued2020
dc.identifier.urihttps://hdl.handle.net/11250/2669380
dc.description.abstractThe purpose of the thesis is to compare aspects of the novel and the movie The Witches by Roald Dahl. More specifically, I am investigating the gender politics in both the movie and the movie, seeking to spot differences in the portrayal of females and women as witches in these works. Dahl explains the phenomenon of witches early in this children’s book, emphasizing the great distinction between women and witches. He explains that witches are not human beings, but demons disguised as women. Despite this clear and intelligible explanation, the novel was met with mixed reception. Several libraries around the world considered the book to cause misogyny, due to its presentation of women as horrifying witches seeking to put an end to the existence of children. Did Roald Dahl’s portrayal of witches bring implications to society’s perception of women and gender equality? Is The Witches an arena for acquiring basic misconceptions of women at a young age? These questions have formed the basis of the thesis, leading to the development of a thesis statement. By using critical feminist theory, I sought to discuss and compare the gender politics in the novel and the movie. I found that it is challenging to conclude the gender politics in The Witches. There are some differences in the portrayal of women in the novel and the movie, and one may argue that aspects of them could cause misogyny, while other aspects could be supporting feminism.
dc.publisherNTNU
dc.titleGender politics in Roald Dahl's The Witches
dc.typeBachelor thesis


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