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dc.contributor.advisorGoring, Paul M.nb_NO
dc.contributor.authorHøyland, Øysteinnb_NO
dc.date.accessioned2014-12-19T13:06:52Z
dc.date.available2014-12-19T13:06:52Z
dc.date.created2014-02-19nb_NO
dc.date.issued2013nb_NO
dc.identifier697925nb_NO
dc.identifier.urihttp://hdl.handle.net/11250/243532
dc.description.abstractThe thesis investigates how two contemporary novels address the relationship between memory and identity in the process of constructing narratives of the self. This question is approached through an analysis of narrative structure in conjunction with close attention to the novels’ contents. Narratology and psychoanalytical literary criticism form the theoretical framework for this analysis. It is shown how the narrators consistently structure their memories into narratives according to what meaning they would like the narrative to create, and how this strategy ultimately fails. The discussions of the novels’ treatment of the topic suggest that both novels treat memories as malleable and identity as a self-interested structuring force. Nevertheless, it is concluded that they both question the individual’s influence over the narratives of the self, and emphasise the role of external reality in the shaping our stories about ourselves. A desire for meaning is the primary structuring force of narrative.nb_NO
dc.languageengnb_NO
dc.publisherNorges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for moderne fremmedspråknb_NO
dc.titleDialogues of Memory and Identity: Narratives of the Self in Julian Barnes’ The Sense of an Ending and Jeanette Winterson’s Written on the Bodynb_NO
dc.typeMaster thesisnb_NO
dc.source.pagenumber52nb_NO
dc.contributor.departmentNorges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for moderne fremmedspråknb_NO


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