Kje je moj glas? Raziskovanje glasovne prostorskosti s tehniko Fitzmaurice Voicework®

Abstract

This article explores vocal spatiality on the background of a research project that investigated Fitzmaurice Voicework® as a transformative practice. The project investigated how vocal expe-rience relates to spaces within and without the individual body. The where of my voice here is therefore understood as a threshold between spaces that at the same time joins and separates the internal and external. The image of threshold suggests transition and ambivalence. In such a space, possibilities for orientation arise along with doubt and decision-making. The article contends that exploring vocal spatiality as a porous and poetic space may offer some valuable perspectives useful for voice and speech training and beyond.