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dc.contributor.authorHodne, Lasse
dc.date.accessioned2023-02-22T09:21:45Z
dc.date.available2023-02-22T09:21:45Z
dc.date.created2022-10-14T10:18:25Z
dc.date.issued2022
dc.identifier.citationPublications of the English Goethe Society. 2022, 91 (3), 193-210.en_US
dc.identifier.issn0959-3683
dc.identifier.urihttps://hdl.handle.net/11250/3053051
dc.description.abstractThe book The Tyranny of Greece over Germany (1935) by Eliza Marian Butler is about the development of German intellectual life in the period from Johann Joachim Winckelmann (1717–1768) onwards. Winckelmann is often seen as the man who gave the impetus to a wave of philhellenism in Germany. According to Butler, German intellectuals’ nostalgic longing for Greece and lack of interest in real societal problems bears much responsibility for the cultural collapse of interwar Germany and the rise of Nazism. The ideas that Butler put forward have been of great importance for those who criticize the political use of classical art in public monuments. Discussing Butler’s points of view, this article will take a critical look at her reasons for attributing such a central role in the cultural decline of interwar Germany to Winckelmann’s philhellenism.en_US
dc.language.isoengen_US
dc.publisherTaylor and Francis Groupen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleButler's Winckelmannen_US
dc.title.alternativeButler's Winckelmannen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.source.pagenumber193-210en_US
dc.source.volume91en_US
dc.source.journalPublications of the English Goethe Societyen_US
dc.source.issue3en_US
dc.identifier.doi10.1080/09593683.2022.2119653
dc.identifier.cristin2061415
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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