| dc.contributor.advisor | Stang, Margrethe C. | |
| dc.contributor.author | Xenaki, Christina | |
| dc.date.accessioned | 2022-07-02T17:21:41Z | |
| dc.date.available | 2022-07-02T17:21:41Z | |
| dc.date.issued | 2022 | |
| dc.identifier | no.ntnu:inspera:104600762:65155167 | |
| dc.identifier.uri | https://hdl.handle.net/11250/3002435 | |
| dc.description | Full text not available | |
| dc.description.abstract | I perioden mellom 1944-1945 maler Hans Ryggen fire portretter av fanger innsatt på Grini fangeleir. Ved å strippe mennesket for all slags individualitet og gi dem et nummer fjernes identiteten til mennesket. I denne oppgaven vil jeg undersøke hvordan identitet blir konstituert i portrettet. | |
| dc.description.abstract | In the period between 1944-1945, the artist Hans Ryggen paints four portraits of prisoners in Grini prison camp. By stripping the human of all of its individuality and giving them a number, their identity is removed. In this assignment I wish to research how their identiy is constituted in a portrait. | |
| dc.language | nob | |
| dc.publisher | NTNU | |
| dc.title | Hvordan blir identiet konstituert i portrettet? | |
| dc.type | Bachelor thesis | |