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dc.contributor.authorMyren-Svelstad, Per Esben
dc.date.accessioned2022-05-09T14:11:30Z
dc.date.available2022-05-09T14:11:30Z
dc.date.created2020-12-15T13:52:42Z
dc.date.issued2020
dc.identifier.citationRevue Nordique des Études Francophones. 2020, 3 (1), 161-173.en_US
dc.identifier.urihttps://hdl.handle.net/11250/2994854
dc.description.abstractThe article is a comparative reading of Everything I Don’t Remember by Swedish author Jonas Hassen Khemiri, and Histoire de la violence by French author Édouard Louis. The main theoretical framework is Deleuzian/Guattarian affect theory, coupled with Adriana Cavarero’s analysis of storytelling and selfhood. Both novels depict a narrative situation where a person has their story told by someone else, and thus provide striking accounts of how individuals relate and affect each other. Moreover, the narrative form of the novels presents identity, solidarity, and love not as predefined categories language can represent, but rather as troubled and unstable phenomena produced and altered through stories.en_US
dc.language.isoengen_US
dc.publisherStockholm University Pressen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleRelating Someone Else’s Story: A Comparative Reading of Jonas Hassen Khemiri’s Everything I Don’t Remember and Édouard Louis’ Histoire de la violenceen_US
dc.title.alternativeRelating Someone Else’s Story: A Comparative Reading of Jonas Hassen Khemiri’s Everything I Don’t Remember and Édouard Louis’ Histoire de la violenceen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.source.pagenumber161-173en_US
dc.source.volume3en_US
dc.source.journalRevue Nordique des Études Francophonesen_US
dc.source.issue1en_US
dc.identifier.doi10.16993/rnef.35
dc.identifier.cristin1860074
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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