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dc.contributor.authorDeborah, Hilda
dc.contributor.authorUlfarsson, Magnus Orn
dc.contributor.authorSigurdsson, Jakob
dc.date.accessioned2021-10-28T08:33:09Z
dc.date.available2021-10-28T08:33:09Z
dc.date.created2021-08-12T13:07:46Z
dc.date.issued2021
dc.identifier.issn2158-6276
dc.identifier.urihttps://hdl.handle.net/11250/2826191
dc.description.abstractTaking insights from the remote sensing field, in the recent decade, the advantages of hyperspectral imaging technology has been exploited for painting conservation. The estimation of pigment proportion in painting is a challenge that is due to the highly mixed nature of the paint layers, usually requiring to take into account the law of mixing colorants in turbid media. Having knowledge of some pigments and paint layers of the reverse side of The Scream (1893), in this study, we are exploring the feasibility of using a more simple linear model for its unmixing. The obtained results are promising, despite the simplicity of the mathematical model.en_US
dc.language.isoengen_US
dc.publisherInstitute of Electrical and Electronics Engineers (IEEE)en_US
dc.titleFully Constrained Least Squares Linear Spectral Unmixing of The Scream (Verso, 1893)en_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionacceptedVersionen_US
dc.rights.holder© IEEE. Personal use of this material is permitted. Permission from IEEE must be obtained for all other uses, in any current or future media, including reprinting/republishing this material for advertising or promotional purposes, creating new collective works, for resale or redistribution to servers or lists, or reuse of any copyrighted component of this work in other works.en_US
dc.source.journalWorkshop on Hyperspectral Image and Signal Processing, Evolution in Remote Sensingen_US
dc.identifier.doi10.1109/WHISPERS52202.2021.9484037
dc.identifier.cristin1925584
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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