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dc.contributor.authorStorsve, Kristine
dc.contributor.authorGjærum, Rikke Gürgens
dc.contributor.authorRasmussen, Bjørn K.
dc.date.accessioned2021-09-21T07:53:56Z
dc.date.available2021-09-21T07:53:56Z
dc.date.created2021-04-07T09:50:08Z
dc.date.issued2021
dc.identifier.issn0892-9092
dc.identifier.urihttps://hdl.handle.net/11250/2779749
dc.description.abstractThis article examines how two devising theater projects with 43 seventh grade pupils respond to values in adaptive education: inclusion, appreciation, variation, experience, relevance, context, and participation. We focus on statue work and the formation of ideas through negotiation processes. The project responds to and concretizes democratic working methods and a pupil perspective in adaptive education. The article suggests that exploratory ensemble-based forms of learning offer the pupils an opportunity to discover their own and the other’s voice, which opens up inclusion into a community.en_US
dc.language.isoengen_US
dc.publisherRoutledgeen_US
dc.relation.urihttps://www.tandfonline.com/doi/pdf/10.1080/08929092.2021.1891164?needAccess=true
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleDrama as democratic and inclusive practiceen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.source.journalYouth Theatre Journalen_US
dc.identifier.doihttps://doi.org/10.1080/08929092.2021.1891164
dc.identifier.cristin1902600
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode2


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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