| dc.contributor.author | Sørenssen, Bjørn | |
| dc.date.accessioned | 2021-03-19T11:39:44Z | |
| dc.date.available | 2021-03-19T11:39:44Z | |
| dc.date.created | 2021-01-10T16:57:18Z | |
| dc.date.issued | 2020 | |
| dc.identifier.citation | Short Film Studies. 2020, 11 (1), 53-56. | en_US |
| dc.identifier.issn | 2042-7824 | |
| dc.identifier.uri | https://hdl.handle.net/11250/2734462 | |
| dc.description.abstract | This article deals with the role artificial language (pseudo-language) plays in this short film and draws parallels to other examples where pseudo-language has been used to achieve comic effect, from Chaplin’s Modern Times to contemporary use of the effect while emphasizing the concept of alienation in twentieth-century modernism. | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Intellect | en_US |
| dc.title | Verfremdung/entfremdung and modernism: ‘pseudo-language’ in la vis | en_US |
| dc.type | Peer reviewed | en_US |
| dc.type | Journal article | en_US |
| dc.description.version | acceptedVersion | en_US |
| dc.source.pagenumber | 53-56 | en_US |
| dc.source.volume | 11 | en_US |
| dc.source.journal | Short Film Studies | en_US |
| dc.source.issue | 1 | en_US |
| dc.identifier.doi | 10.1386/sfs_00031_1 | |
| dc.identifier.cristin | 1868354 | |
| dc.description.localcode | Locked until 1.1.2022 due to copyright restrictions. This is a pre-copyedited, author-produced version of an article accepted for publication following peer review. | en_US |
| cristin.ispublished | true | |
| cristin.fulltext | postprint | |
| cristin.qualitycode | 1 | |
