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Grunnleggelsen av en norsk kunstkritikk : Emil Tidemands kritiske praksis

Kirkholt, Tore
Journal article, Peer reviewed
Published version
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Kirkholt.pdf (Locked)
URI
http://hdl.handle.net/11250/2622808
Date
2012
Metadata
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  • Institutt for kunst- og medievitenskap [460]
  • Publikasjoner fra CRIStin - NTNU [19694]
Original version
Kunst og kultur. 2012, 95 (2), 64-83.  
Abstract
Emil Tidemand was the most important figure in establishing art criti-cism as a literary genre in Norway. Nevertheless, his importance has been underestimated in the art his-torical literature, where he has been dismissed as a layman critic whose understanding of art was limited. This criticism is the result of a modernist understanding of art, which was unable to grasp the qualities of Tidemand’s critical writings. This is because he operates with a concept of art’s moral and social signifi-cance, an understanding partly rejected by modernist aesthetics. This article brings out aspects of Emil Tidemand’s critical praxis that will show him as a far more progressive and interesting critic than previously known.
Publisher
Universitetsforlaget
Journal
Kunst og kultur

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