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dc.contributor.authorJørgensen, Ulla Angkjær
dc.date.accessioned2019-10-16T15:31:49Z
dc.date.available2019-10-16T15:31:49Z
dc.date.created2012-12-05T13:32:41Z
dc.date.issued2012
dc.identifier.citationJournal of Aesthetics and Culture. 2012, 4 .nb_NO
dc.identifier.issn2000-4214
dc.identifier.urihttp://hdl.handle.net/11250/2622652
dc.description.abstractThis article considers the interface as the physical interaction of human body and technology inspired by the theories of Maurizio Lazzarato, Brian Massumi, and Anna Munster. Through artworks by VALIE EXPORT (Adjunct Dislocations II) and Jette Gejl Kristensen (Hyperkinetic Kayak) it examines how bodies and advanced technology together perform real-time interfaces in concrete spaces launching complex events of affective encounters.nb_NO
dc.language.isoengnb_NO
dc.publisherTaylor & Francisnb_NO
dc.rightsNavngivelse-Ikkekommersiell 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/deed.no*
dc.titleBodies and real-time interfaces: in video performance and interactive digital 3D installation art by VALIE EXPORT and Jette Gejl Kristensennb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.pagenumber10nb_NO
dc.source.volume4nb_NO
dc.source.journalJournal of Aesthetics and Culturenb_NO
dc.identifier.doi10.3402/jac.v4i0.18149
dc.identifier.cristin968445
dc.description.localcode#2012 U.A. Jørgensen. This is an Open Access article distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported License (http://creativecommons.org/licenses/by-nc/3.0/), permitting all non-commercial use, distribution, and reproduction in any medium, provided the original work is properly citednb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode2


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