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dc.contributor.authorToscher, Benjamin
dc.contributor.authorBjørnø, Aksel Morris
dc.date.accessioned2019-09-03T11:46:41Z
dc.date.available2019-09-03T11:46:41Z
dc.date.created2019-09-02T10:59:30Z
dc.date.issued2019
dc.identifier.issn1063-2921
dc.identifier.urihttp://hdl.handle.net/11250/2612264
dc.description.abstractEntrepreneurship education in higher music education has grown rapidly, yet little is known about what music students think of entrepreneurship. Using a qualitative description approach guided by analytic rigor, we present results from a survey of 114 music students. Respondents most commonly define entrepreneurship as “self-employment” as introduced by McClelland, with a Schumpeterian theme of “innovation and disequilibrium” following behind. Fifty-two percent of respondents value entrepreneurial skills as important for their careers; forty-three percent do not know if entrepreneurial skills are important for their careers. Finally, we discuss how they rationalize these evaluations. Implications for educators and practitioners are discussed.nb_NO
dc.language.isoengnb_NO
dc.publisherTaylor & Francisnb_NO
dc.titleMusic Students’ Definitions, Evaluations, and Rationalizations of Entrepreneurshipnb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionacceptedVersionnb_NO
dc.source.journalThe Journal of Arts Management, Law, and Societynb_NO
dc.identifier.doi10.1080/10632921.2019.1646178
dc.identifier.cristin1720494
dc.description.localcodeLocked until 28/2-2021 due to copyright restrictions. This is an Accepted Manuscript of an article published by Taylor & Francis in The Journal of Arts Management, Law, and Society on 28/8-2019, available at https://doi.org/10.1080/10632921.2019.1646178nb_NO
cristin.unitcode194,60,25,0
cristin.unitnameInstitutt for industriell økonomi og teknologiledelse
cristin.ispublishedtrue
cristin.qualitycode2


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