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dc.contributor.authorBakka, Egil
dc.date.accessioned2018-04-04T10:31:01Z
dc.date.available2018-04-04T10:31:01Z
dc.date.created2018-04-01T12:39:02Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/11250/2492549
dc.description.abstractIn the Nordic countries folk dancers tended to avoid the term festival for their festive reunions, calling them “stemne”. The idea behind was that dancers from folk dance clubs met to socialise and dance together. The Nordic «stemne” did not have competitions or thoroughly choreographed stage shows, but perhaps a well-planned and rehearsed mass performance at the sports stadium, where everybody could join in. They did, however, also show their dances to each other, particularly early on, when they had not learned each other’s dances well enough to dance together. Participatory dancing was, however meant to be the focussed idea behind, whereas many folk dance festivals in other parts of Europe would be focussed more on exchange through the presentational mode. This presentation will look at the background for this difference and how it stands today.nb_NO
dc.language.isoengnb_NO
dc.publisherState Turkish Music Conservatory. Ege University Izmirnb_NO
dc.relation.ispartofThe cultural development of folk dance festivals and the sustainability of tradition
dc.titleThe Nordic “folkedansstemne” A participatory intention in folk dance meetings across bordersnb_NO
dc.typeChapternb_NO
dc.description.versionsubmittedVersionnb_NO
dc.identifier.cristin1576418
dc.description.localcodeThis chapter will not be available due to copyright restrictions (c) 2018 by State Turkish Music Conservatory. Ege University Izmirnb_NO
cristin.unitcode194,62,45,0
cristin.unitnameInstitutt for musikk
cristin.ispublishedtrue
cristin.fulltextpreprint


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