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dc.contributor.authorFikse, Per
dc.contributor.authorLarsen, Endre Eidsaa
dc.date.accessioned2018-03-20T08:54:56Z
dc.date.available2018-03-20T08:54:56Z
dc.date.created2017-06-14T14:35:32Z
dc.date.issued2017
dc.identifier.citationShort Film Studies. 2017, 7 (2), 161-164.nb_NO
dc.identifier.issn2042-7824
dc.identifier.urihttp://hdl.handle.net/11250/2491172
dc.description.abstractBy guiding our attention to the emotional responses of a little girl and her darkly lit surroundings, Jude’s film explores human existence in the face of death. Informed by existential philosophy in the vein of Heidegger, this article investigates the difference between fear of death and fear of the dead.nb_NO
dc.language.isoengnb_NO
dc.publisherIntellectnb_NO
dc.titleThe girl and the ghostnb_NO
dc.typeJournal articlenb_NO
dc.description.versionsubmittedVersionnb_NO
dc.source.pagenumber161-164nb_NO
dc.source.volume7nb_NO
dc.source.journalShort Film Studiesnb_NO
dc.source.issue2nb_NO
dc.identifier.doi10.1386/sfs.7.2.161_1
dc.identifier.cristin1476106
dc.description.localcode© 2017. This is the authors' manuscript to the article. The final authenticated version is available online at: https://doi.org/10.1386/sfs.7.2.161_1nb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextpreprint
cristin.qualitycode1


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