Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer
dc.contributor.author | Howland, John | |
dc.date.accessioned | 2018-02-19T12:16:07Z | |
dc.date.available | 2018-02-19T12:16:07Z | |
dc.date.created | 2016-09-05T10:01:06Z | |
dc.date.issued | 2017 | |
dc.identifier.isbn | 9780521764049 | |
dc.identifier.uri | http://hdl.handle.net/11250/2485665 | |
dc.language.iso | eng | nb_NO |
dc.publisher | Cambridge University Press (CUP) | nb_NO |
dc.relation.ispartof | Duke Ellington Studies | |
dc.title | Marketing to the Middlebrow: Reconsidering Ellingtonia, the Legacy of Early Ellington Criticism, and the Idea of a ‘Serious’ Jazz Composer | nb_NO |
dc.type | Chapter | nb_NO |
dc.description.version | acceptedVersion | nb_NO |
dc.source.pagenumber | 32-75 | nb_NO |
dc.identifier.doi | 10.1017/9781139028226.003 | |
dc.identifier.cristin | 1378024 | |
dc.description.localcode | This chapter will not be available due to copyright restrictions (c) 2017 by Cambridge University Press | nb_NO |
cristin.unitcode | 194,62,45,0 | |
cristin.unitname | Institutt for musikk | |
cristin.ispublished | true | |
cristin.fulltext | preprint | |
cristin.qualitycode | 2 |
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