dc.contributor.author | Svarstad, Elizabeth | |
dc.contributor.author | Nygaard, Jon | |
dc.date.accessioned | 2018-01-31T14:31:10Z | |
dc.date.available | 2018-01-31T14:31:10Z | |
dc.date.created | 2016-12-01T11:08:04Z | |
dc.date.issued | 2016 | |
dc.identifier.citation | Ibsen Studies. 2016, 16 (2), 168-185. | nb_NO |
dc.identifier.issn | 1502-1866 | |
dc.identifier.uri | http://hdl.handle.net/11250/2481062 | |
dc.description.abstract | Erik Bøgh’s A Caprice (En Kaprice) premiered 7 September 1859 at the Norwegian Theatre in Christiania (Oslo), staged by theatre manager Henrik Ibsen. The production then ran for another thirty-five performances during the 1859-60 season. In relation to the population of the town, this is by far the greatest box-office success in the history of regular theatres in Norway. No wonder that Michael Meyer understood A Caprice as the ultimate example of the unholy trade Ibsen was forced into as a theatre manager. According to Meyer, in staging A Caprice Ibsen was for the only time in his life “rebuked for truckling to the box-office” (Meyer 1971, 166). The contemporary criticism claimed that Ibsen, by staging A Caprice and other dance performances, was reducing the Norwegian Theatre in Christiania to a kind of amusement park for the lower classes (Morgenbladet Nr. 278, 9.10.1859). | nb_NO |
dc.language.iso | eng | nb_NO |
dc.publisher | Taylor & Francis | nb_NO |
dc.title | A caprice – the summit of Ibsen’s theatrical career | nb_NO |
dc.type | Journal article | nb_NO |
dc.type | Peer reviewed | nb_NO |
dc.description.version | acceptedVersion | nb_NO |
dc.source.pagenumber | 168-185 | nb_NO |
dc.source.volume | 16 | nb_NO |
dc.source.journal | Ibsen Studies | nb_NO |
dc.source.issue | 2 | nb_NO |
dc.identifier.doi | 10.1080/15021866.2016.1263445 | |
dc.identifier.cristin | 1407010 | |
dc.relation.project | Norges forskningsråd: 213821 | nb_NO |
dc.description.localcode | This is an [Accepted Manuscript] of an article published by Taylor & Francis in [Ibsen Studies] on [26 Jan 2017], available at http://www.tandfonline.com/doi/full/10.1080/15021866.2016.1263445. Locked until 26.7.2018 due to copyright restrictions. | nb_NO |
cristin.unitcode | 194,62,45,0 | |
cristin.unitname | Institutt for musikk | |
cristin.ispublished | true | |
cristin.fulltext | postprint | |
cristin.qualitycode | 2 | |