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dc.contributor.authorGjelsvik, Anne
dc.contributor.authorCumming, Torr
dc.date.accessioned2018-01-18T14:15:20Z
dc.date.available2018-01-18T14:15:20Z
dc.date.created2017-03-13T09:37:15Z
dc.date.issued2017
dc.identifier.issn1891-5752
dc.identifier.urihttp://hdl.handle.net/11250/2478194
dc.description.abstractWhen summing up the current state of affairs when it comes climate change awareness, author Eugene Linden stated that climate warnings are ‘heard, but not listened to’ (Linden 2015). In this article we discuss how, and to what extent, cinematic depictions of climate change can help remedy this issue. We base our discussion on the two documentaries, La glace et le ciel (2015) and Chasing Ice (2012). These films focus the lives of their respective protagonists, a glaciologist and a photographer, and the efforts they have gone to in researching and documenting climate change in the worlds polar regions. Our aim is to discuss how the scientific discourse can be «translated» into film, and the consequences of such transmediations. In particular, our discussions are centred upon the role visualization plays as scientific proof in these films, and the phenomenological influence such documentation can have on viewers.nb_NO
dc.language.isoengnb_NO
dc.publisherUniversitetsforlagetnb_NO
dc.titleIcebreakers - Visionary men and the visualization of climate changenb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.volume7nb_NO
dc.source.journalEkfrase: Nordisk Tidsskrift for Visuell Kulturnb_NO
dc.identifier.doi10.18261/issn.1891-5760-2016-01-02-04
dc.identifier.cristin1457677
dc.description.localcodeThis chapter will not be available due to copyright restrictions (c) 2016 by Universitetsforlagetnb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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