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dc.contributor.authorHoel, Aud Sissel
dc.date.accessioned2017-12-02T09:42:09Z
dc.date.available2017-12-02T09:42:09Z
dc.date.created2016-03-30T11:55:28Z
dc.date.issued2016
dc.identifier.citationHistory of Photography. 2016, 40 (1), 49-66.nb_NO
dc.identifier.issn0308-7298
dc.identifier.urihttp://hdl.handle.net/11250/2468824
dc.description.abstractTaking its point of departure from the current digitisation of the Harvard Astronomical Plate Collection, this article follows the plates back to the time when the status of photography as a research tool for astronomers was still to be established. It focuses on Charles S. Peirce, who, while employed by the US Coast Survey, made astronomical observations and contributed to the deliberation over visual and photographic methods. Particular attention is paid to Peirce’s involvement in early explorations of photography’s potential as a measurement tool. The guiding assumption is that approaching photography as a tool, rather than as a sign or representation, offers new inroads into the old problem of photography’s revealing powers and its capacity to serve as a means of discovery in science. Drawing on Peirce’s scientific practice as an alternative resource for theory construction, this article contributes to the ongoing efforts to conceptualise the productive or generative dimension of photographic methods. It concludes by pointing to the diagrammatic notion of evidence developed late in Peirce’s philosophical career, proposing that photography be reconceived as a diagrammatic tool.nb_NO
dc.language.isoengnb_NO
dc.publisherTaylor & Francisnb_NO
dc.titleMeasuring the Heavens: Charles S. Peirce and Astronomical Photographynb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionacceptedVersionnb_NO
dc.source.pagenumber49-66nb_NO
dc.source.volume40nb_NO
dc.source.journalHistory of Photographynb_NO
dc.source.issue1nb_NO
dc.identifier.doi10.1080/03087298.2016.1140329
dc.identifier.cristin1347570
dc.relation.projectNorges forskningsråd: 203311nb_NO
dc.description.localcodeLOCKED until 16.9.2018 due to copyright restrictions. This is an [Accepted Manuscript] of an article published by Taylor & Francis in [History of Photography ] on [16 Mar 2016], available at http://www.tandfonline.com/doi/full/10.1080/03087298.2016.1140329nb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode2


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