dc.contributor.author | Håkonsen, Grete | nb_NO |
dc.date.accessioned | 2014-12-19T13:09:05Z | |
dc.date.available | 2014-12-19T13:09:05Z | |
dc.date.created | 2008-02-14 | nb_NO |
dc.date.issued | 2007 | nb_NO |
dc.identifier | 123482 | nb_NO |
dc.identifier.isbn | 978-82-471-2551-9 | nb_NO |
dc.identifier.uri | http://hdl.handle.net/11250/244075 | |
dc.description.abstract | This is a field study of creative knowledge work. The setting is a kind of work practice we know little about: The development and production of ideas and concepts for the television and film industry. The study was conducted in a company I have chosen to call A-Tale. How the partners go about their work constitute an interesting example of creative knowledge work. The larger context to this study is the rise of a new mode of knowledge production in which knowledge producers do not work exclusively in universities but also in industry and government laboratories, in think-tanks, research institutions, consultancy enterprises, etc. | nb_NO |
dc.language | eng | nb_NO |
dc.publisher | Det historisk-filosofiske fakultet | nb_NO |
dc.relation.ispartofseries | Doktoravhandlinger ved NTNU, 1503-8181; 2007:116 | nb_NO |
dc.title | Making a difference. Creative dialogues, protopractice and the moral shaping of knowledge in a media company | nb_NO |
dc.type | Doctoral thesis | nb_NO |
dc.contributor.department | Norges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for tverrfaglige kulturstudier | nb_NO |
dc.description.degree | dr.art. | nb_NO |
dc.description.degree | dr.art. | en_GB |