dc.contributor.author | Rønningsgrind, Guro | nb_NO |
dc.date.accessioned | 2014-12-19T13:07:18Z | |
dc.date.available | 2014-12-19T13:07:18Z | |
dc.date.created | 2012-04-24 | nb_NO |
dc.date.issued | 2012 | nb_NO |
dc.identifier | 517562 | nb_NO |
dc.identifier.isbn | 978-82-471-3347-7 (printed ver.) | nb_NO |
dc.identifier.isbn | 978-82-471-3348-4 (electronic ver.) | nb_NO |
dc.identifier.uri | http://hdl.handle.net/11250/243626 | |
dc.language | eng | nb_NO |
dc.publisher | Norges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for musikk | nb_NO |
dc.relation.ispartofseries | Doktoravhandlinger ved NTNU, 1503-8181; 2012:41 | nb_NO |
dc.title | Meaning, Presence, Process: The Aesthetic Challenge of John Cage’s Musicircus | nb_NO |
dc.type | Doctoral thesis | nb_NO |
dc.contributor.department | Norges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for musikk | nb_NO |
dc.description.degree | PhD i estetiske fag | nb_NO |
dc.description.degree | PhD in Humanities and the Arts | en_GB |