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The Producer/Composer - The hybridization of roles and how it affects production and composition of contemporary music

dc.contributor.advisorEngum, Trond
dc.contributor.authorLacroix, Mathieu
dc.date.accessioned2016-12-13T12:44:46Z
dc.date.available2016-12-13T12:44:46Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/11250/2425039
dc.descriptionOppgaven har vedlegg som mangler i digital versjon, og kan framstå som ufullstendig uten dette. Kontakt NTNU Universitetsbiblioteket for utlån av komplett oppgave.nb_NO
dc.description.abstractThe world of composition and music production has been quickly changing in the last 20 years especially with the democratization of digital technology. This project seeks to illuminate these new practices and how they affect production and composition through the hybrid role of the producer/composer. The aspects of production, acoustics and the role of the producer/composer are explored in depth before showing case examples of how this role was used in different productions and compositions in a portfolio-like section.nb_NO
dc.language.isoengnb_NO
dc.publisherNTNU
dc.relation.haspartSkriftlig avhandlingnb_NO
dc.relation.haspartVedlegg på DVD (2 stk)nb_NO
dc.subjectmusikkteknologinb_NO
dc.subjectakustikknb_NO
dc.subjectproduksjonnb_NO
dc.subjectantescofonb_NO
dc.subjectSPATnb_NO
dc.subjectambisonicsnb_NO
dc.subjectmusic technologynb_NO
dc.subjectacousticsnb_NO
dc.subjectproductionnb_NO
dc.subjectManourynb_NO
dc.subjectSaariahonb_NO
dc.subjectmixed musicnb_NO
dc.subjectacousmatic musicnb_NO
dc.titleThe Producer/Composer - The hybridization of roles and how it affects production and composition of contemporary musicnb_NO
dc.typeMaster thesisnb_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Music theory: 112nb_NO
dc.subject.nsiVDP::Humanities: 000::Musicology: 110::Alternative musicology: 119nb_NO
dc.source.pagenumber184nb_NO


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