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Blar i Institutt for musikk på dokumenttype "Journal article"

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    • A caprice – the summit of Ibsen’s theatrical career 

      Svarstad, Elizabeth; Nygaard, Jon (Journal article; Peer reviewed, 2016)
      Erik Bøgh’s A Caprice (En Kaprice) premiered 7 September 1859 at the Norwegian Theatre in Christiania (Oslo), staged by theatre manager Henrik Ibsen. The production then ran for another thirty-five performances during the ...
    • Applications of Cross-Adaptive Audio Effects: Automatic Mixing, Live Performance and Everything in Between 

      Brandtsegg, Øyvind; Reiss, Joshua D. (Journal article; Peer reviewed, 2018)
      This paper provides a systematic review of cross-adaptive audio effects and their applications. These effects extend the boundaries of traditional audio effects by potentially having many inputs and outputs, and deriving ...
    • Å forske på eiga speling 

      Ølnes, Njål (Journal article; Peer reviewed, 2017)
      Denne artikkelen presenterer, undersøker og diskuterer bruken av auditiv sonologi som metode for å forske på improvisert musikk. Studien er eit eksempel på kunstnarleg forsking, og rettar sine spørsmål frå innsida av ein ...
    • A case study in learning spaces for physical-virtual two-campus interaction 

      Støckert, Robin; Jensenius, Alexander Refsum; Xambó, Anna; Brandtsegg, Øyvind (Journal article, 2019)
      In this paper we present results from our ongoing project Student Active Learning in a Two campus Organization(SALTO). This is funded as part of the Norwegian University of Science and Technology’s (NTNU) Teaching Excellence ...
    • Children's participation in ritualized circle time : ritual in music sessions in the multicultural kindergarten: How does it comply with children's right to participation? 

      Kulset, Nora Bilalovic (Journal article; Peer reviewed, 2016)
      This article addresses the possibly contradictory relationship between children's right to participate and ritualized circle time. It presents an analysis from an arts-based research inquiry within self-study, conducted ...
    • Democratizing Interactive Music Production over the Internet 

      Engum, Trond; Wittner, Otto Jonassen (Journal article; Peer reviewed, 2018)
      This paper describes an ongoing research project which address challenges and opportunities when collaborating interactively in real time in a ”virtual” sound studio with several partners in different locations. ”Virtual” ...
    • Den umulige og opprørende dissonans: En siesta med Alexander Kielland og musikken 

      Breivik, Magnar (Journal article; Peer reviewed, 2011)
    • Effects of instructed timing and tempo on snare drum sound in drum kit performance 

      Danielsen, Anne; Waadeland, Carl Haakon; Sundt, Henrik G.; Witek, Maria (Journal article; Peer reviewed, 2015)
      This paper reports on an experiment investigating the expressive means with which performers of groove-based musics signal the intended timing of a rhythmic event. Ten expert drummers were instructed to perform a rock ...
    • 'Farò il possibile per vincer l’animo di M.r Handel': Senesino’s arrival in London and Arsace’s rhetoric of passions 

      Bucciarelli, Melania (Journal article; Peer reviewed, 2017)
      We often read about the castrato Senesino's arrogant, self-absorbed personality, especially in relation to Handel and his London years. Concerns about Senesino's difficult character spread in London even before his arrival ...
    • Framework for a novel two-campus master's programme in music, communication and technology between the University of Oslo and the Norwegian University of Science and Technology in Trondheim 

      Støckert, Robin; Refsum Jensenius, Alexander; Saue, Sigurd (Journal article; Peer reviewed, 2017)
      In 2015 World Economic Forum defined what they consider to be the 16 most critical 21st century skills needed for a student to thrive in an ever faster evolving technology mediated world. The challenge is how higher education ...
    • Insular or Cosmoplitan: David Monrad Johansen and Paris 

      Kleiberg, Ståle (Journal article; Peer reviewed, 2012)
      The Norwegian composer David Monrad Johansen (1888–1974) emerged as the standard-bearer for what he himself called «national values» in music in the interwar period. It is very much for this that he is remembered today. ...
    • An interface to an interface to an interface 

      Brandtsegg, Øyvind (Peer reviewed; Journal article, 2020)
      The paper relates some experiences from a recent production of orchestrating Conlon Nancarrow Piano Studies for performance on Pipe Organ. Reflections that surfaced during this work concerned the layered nature of interfaces, ...
    • Investigation of a Drum Controlled Cross-Adaptive Audio Effect for Live Performance 

      Brandtsegg, Øyvind; Reiss, Joshua; Sarkar, Saurjya (Journal article; Peer reviewed, 2017)
      Electronic music often uses dynamic and synchronized digital audio effects that cannot easily be recreated in live performances. Cross-adaptive effects provide a simple solution to such problems since they can use multiple ...
    • Itinerant challenges and newspaper support: The Johannesénske Balletselskab’s Norwegian tour 1878-1879 

      Fiskvik, Anne Margrete (Peer reviewed; Journal article, 2015)
      In March 1878 the Johannesénske Balletselskab travelled over the mountains from Östersund in Sweden to the Norwegian city of Trondheim.1 The Johannesénske Balletselselskab was used to travelling: in various ...
    • La Famille Dansant. Investigating the Family Structure and Repertory of the Johannesénske Balletselskab 

      Fiskvik, Anne Margrete (Journal article; Peer reviewed, 2015)
      The performance history of the Johannesénske Balletselskab spans a long period. In different shapes, sizes and names the ensemble was on the road for 30 years. This article analyses the activities of the Johannesénske ...
    • Learning to Code Through Web Audio: A Team-Based Learning Approach 

      Xambó, Anna; Støckert, Robin; Jensenius, Alexander Refsum; Saue, Sigurd (Peer reviewed; Journal article, 2020)
      In this article, we discuss the challenges and opportunities provided by teaching programming using web audio technologies and adopting a team-based learning (TBL) approach among a mix of colocated and remote students, ...
    • Live Convolution with time-Variant Impulse Response 

      Brandtsegg, Øyvind; Saue, Sigurd (Journal article; Peer reviewed, 2017)
      This paper describes methods for doing convolution of two live signals, without the need to load a time-invariant impulse response prior to the convolution process. It was developed in the context of creative live electronic ...
    • Live Convolution with Time-Varying Filters 

      Brandtsegg, Øyvind; Saue, Sigurd; Lazzarini, Victor (Journal article; Peer reviewed, 2018)
      The paper presents two new approaches to artefact-free real-time updates of the impulse response in convolution. Both approaches are based on incremental updates of the filter. This can be useful for several applications ...
    • Music Information Retrieval in Live Coding: A Theoretical Framework 

      Xambo Sedo, Anna; Lerch, Alexander; Freeman, Jason (Journal article; Peer reviewed, 2018)
      Music information retrieval (MIR) has a great potential in musical live coding because it can help the musician–programmer to make musical decisions based on audio content analysis and explore new sonorities by means of ...
    • Rautavaaras "Rasputin" - et spenningsfylt drama 

      Bakke, Arild Reidar (Journal article; Peer reviewed, 2011)
      The Finnish composer Einojuhani Rautavaara (born 1928) has written numerous different types of music. In his work we can find songs, choral music, chamber music, symphonic music, electronic music, etc. Notably, many of his ...

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