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dc.contributor.authorJohansen, Anja
dc.date.accessioned2023-03-13T09:09:02Z
dc.date.available2023-03-13T09:09:02Z
dc.date.created2023-01-09T11:45:51Z
dc.date.issued2022
dc.identifier.citationMuseum & Society. 2022, 20 (2), 153-171.en_US
dc.identifier.issn1479-8360
dc.identifier.urihttps://hdl.handle.net/11250/3057852
dc.description.abstractScience museums have increasingly experimented with bringing art into their exhibitions to attract and engage visitors. While the prevalence and popularity of such experiments is growing, research on the rationales for collaboration and their outcomes, as well as the challenges involved, remains scarce. This paper analyzes and discusses how art is used as part of engaging visitors in two contrasting exhibitions about the brain and neuroscience: one using art as illustration of ready-made science, the other inviting artists as co-curators in evoking a feeling of science in the making. Drawing on models of public engagement and art-science collaboration, it discusses how notions of science communication and visitor engagement are imagined and enacted in the two exhibitions, and how they relate to different ‘logics’, or rationales, of interdisciplinary collaboration.en_US
dc.language.isoengen_US
dc.publisherDepartment of Museum Studiesen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleImagining the brain, engaging the body: Designing visitor engagement in science exhibition experiments with arten_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.source.pagenumber153-171en_US
dc.source.volume20en_US
dc.source.journalMuseum & Societyen_US
dc.source.issue2en_US
dc.identifier.doi10.29311/mas.v20i2.3522
dc.identifier.cristin2103149
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode2


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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