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dc.contributor.authorNyland, Astrid Johanne
dc.contributor.authorStebergløkken, Heidrun M.V.
dc.date.accessioned2021-04-28T09:55:07Z
dc.date.available2021-04-28T09:55:07Z
dc.date.created2021-03-23T17:26:46Z
dc.date.issued2021
dc.identifier.issn0043-8243
dc.identifier.urihttps://hdl.handle.net/11250/2740124
dc.description.abstractTemporality and changeability are here considered vital characteristics of rock art, expressed through shifting light and moving bodies. Demonstrating deliberate use of non-quantifiable elements such as light is challenging. Nevertheless, there are rock art sites where its importance is apparent. For example, the results of a 3D scan of the site Hammer IX in Central Norway show how the same lines make out both an elk head and a whale. Whereas in Vingen in Western Norway, 77 panels positioned across a scree slope, non-corporeal elements appear to be as important as the motifs. Approaching rock art in a non-representational framework, we consider the involvement of intangible elements as part of the constant knowledge production and shaping of realities at sites. This is the point of departure for our discussion of the making and use of rock art as a meaning-making and storytelling practice in Late Mesolithic and Early Neolithic Norway.en_US
dc.language.isoengen_US
dc.publisherTaylor & Francisen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleChanging perceptions of rock art: storying prehistoric worldsen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.source.journalWorld archaeologyen_US
dc.identifier.doihttps://doi.org/10.1080/00438243.2021.1899042
dc.identifier.cristin1900367
dc.relation.projectUniversitetet i Stavanger: IN-11356en_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode2


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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