| dc.contributor.author | Thorsen, Thea Selliaas | |
| dc.date.accessioned | 2019-03-28T08:43:57Z | |
| dc.date.available | 2019-03-28T08:43:57Z | |
| dc.date.created | 2018-04-27T21:37:57Z | |
| dc.date.issued | 2018 | |
| dc.identifier.citation | Aevum antiquum. 2018, 159-181. | nb_NO |
| dc.identifier.issn | 1121-8932 | |
| dc.identifier.uri | http://hdl.handle.net/11250/2592088 | |
| dc.description.abstract | The main argument of this paper is that Amores I 5, a key poem in the work with which Ovid claims to have to begun his literary career, activates specific features of the legacy of Pompey the Great mediated through both the monument that Pompey built for himself and through works of Augustan literature composed after Pompey’s death. | nb_NO |
| dc.language.iso | eng | nb_NO |
| dc.publisher | Vita e Pensiero | nb_NO |
| dc.title | Ovid's Amores 1,5 and the complex of Pompey | nb_NO |
| dc.type | Journal article | nb_NO |
| dc.type | Peer reviewed | nb_NO |
| dc.description.version | publishedVersion | nb_NO |
| dc.source.pagenumber | 159-181 | nb_NO |
| dc.source.journal | Aevum antiquum | nb_NO |
| dc.identifier.doi | 10.26350/020747_000007 | |
| dc.identifier.cristin | 1582238 | |
| dc.relation.project | Norges forskningsråd: 240291 | nb_NO |
| dc.description.localcode | This article will not be available due to copyright restrictions (c) 2018 by Vita e Pensiero | nb_NO |
| cristin.unitcode | 194,62,65,0 | |
| cristin.unitname | Institutt for historiske studier | |
| cristin.ispublished | true | |
| cristin.fulltext | original | |
| cristin.qualitycode | 1 | |
