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dc.contributor.authorSpilker, Hendrik Storstein
dc.contributor.authorAsk, Kristine
dc.contributor.authorHansen, Martin
dc.date.accessioned2019-03-22T08:32:05Z
dc.date.available2019-03-22T08:32:05Z
dc.date.created2018-10-29T10:14:03Z
dc.date.issued2018
dc.identifier.citationInformation, Communication & Society. 2018, .nb_NO
dc.identifier.issn1369-118X
dc.identifier.urihttp://hdl.handle.net/11250/2591218
dc.description.abstractA central theme in media research has been the transition from traditional broadcast media, like television and radio, to social media and streaming services. For both researchers and practitioners in the field, a crucial concern has been how to understand the emerging forms of flexibility and interactivity that characterize the use of new media platforms. This article adds to this work by analyzing new viewing and audience practices of the streaming platform Twitch, addressing how emergent ways of viewing and engaging with broadcasts both challenges and revitalizes established concepts from television audience studies. For some years, researchers and media analytics have been discussing to which extent Netflix, Hulu, YouTube and other on-demand streaming services represents the death of linear-TV [see, e.g., Lotz, A. D. (2014). The television will be revolutionized. New York, NY: New York University Press; Lotz, A. D. (2017). A treatise on internet-distributed television. Michigan, MI: Maize Books; Buonanno, M. (2016). (Not yet) the end of television: Editor’s introduction [Special issue]. Media and Communication, 4(3), 95–98]. Conventional wisdom dictates that only sports and other great events will uphold the flow, linearity and liveness of traditional television. However, our analysis shows how linear-TV is re-emerging in other, novel forms as well. Central to the analysis is the concepts of ‘spatial switching’ and ‘affective switching’, which is used to illuminate the ways in which Twitch practices and infrastructures introduces new dimensions of flexibility, convenience and user-control to flow, liveness and linear-TV.nb_NO
dc.language.isoengnb_NO
dc.publisherTaylor & Francisnb_NO
dc.relation.urihttps://www.tandfonline.com/doi/full/10.1080/1369118X.2018.1529193
dc.titleThe New Practices and Infrastructures of Participation: How the popularity of Twitch.tv challenges old and new ideas about television viewingnb_NO
dc.title.alternativeThe New Practices and Infrastructures of Participation: How the popularity of Twitch.tv challenges old and new ideas about television viewingnb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionacceptedVersionnb_NO
dc.source.pagenumber15nb_NO
dc.source.journalInformation, Communication & Societynb_NO
dc.identifier.doi10.1080/1369118X.2018.1529193
dc.identifier.cristin1624318
dc.relation.projectNorges forskningsråd: 205265nb_NO
dc.description.localcodeLocked until 16.4.2020 due to copyright restrictions. This is an [Accepted Manuscript] of an article published by Taylor & Francis in [Information, Communication & Society] on [16 Oct 2018], available at https://doi.org/10.1080/1369118X.2018.1529193nb_NO
cristin.unitcode194,67,25,0
cristin.unitcode194,62,40,0
cristin.unitnameInstitutt for sosiologi og statsvitenskap
cristin.unitnameInstitutt for tverrfaglige kulturstudier
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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