Vis enkel innførsel

dc.contributor.authorStebergløkken, Heidrun M.V.
dc.date.accessioned2018-04-25T07:56:58Z
dc.date.available2018-04-25T07:56:58Z
dc.date.created2017-11-22T14:15:09Z
dc.date.issued2017
dc.identifier.isbn978-1-78570-820-6
dc.identifier.urihttp://hdl.handle.net/11250/2495816
dc.description.abstractMy PhD project focuses on the concept of style in rock art. As in other parts of the world, style has primarily been used as a dating method in Norwegian rock art research. In combination with shoreline dating researchers developed a stylistic sequence of the rock art belonging to the Northern Tradition, which has been used to a greater or lesser extent for almost a century. An interesting characteristic of central Norway is the meeting between the Northern and the Southern Traditions. In this region, the different traditions coexist not just in this macro-perspective, but also side by side at the same sites – occasionally even at the same panels. The region is a perfect place to study the interaction between the two traditions. The rock art also shows enormous variation in style and drawing methods. What can this encounter tell us? And why does this area show such stylistic variation?nb_NO
dc.language.isoengnb_NO
dc.publisherOxbow Booksnb_NO
dc.relation.ispartofNorth Meets South - Theoretical aspects on the northern and southern rock art traditions in Scandinavia
dc.titleWhere Styles Meet - What Does it Mean?nb_NO
dc.typeChapternb_NO
dc.description.versionacceptedVersionnb_NO
dc.source.pagenumber35-58nb_NO
dc.identifier.cristin1517249
dc.description.localcodeThis chapter will not be available due to copyright restrictions (c) 2017 by Oxbow Booksnb_NO
cristin.unitcode194,31,5,0
cristin.unitnameInstitutt for arkeologi og kulturhistorie
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


Tilhørende fil(er)

Thumbnail

Denne innførselen finnes i følgende samling(er)

Vis enkel innførsel