Blar i NTNU Open på forfatter "Brataas, Delilah Anne B"
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Gods and Monsters: Authorial Creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare
Brataas, Delilah Anne B (Journal article; Peer reviewed, 2020)In this article, I explore images of Shakespeare and his characters in Neil Gaiman’s Sandman (1989–1996) and Conor McCreery and Anthony Del Col’s Kill Shakespeare (2010–2014). Gaiman’s series follows Morpheus, the ... -
“Peculiar Circles”: The Fluid Utopia at the Northern Pole in Margaret Cavendish's Blazing World
Brataas, Delilah Anne B (Journal article; Peer reviewed, 2019)Margaret Cavendish’s The Blazing World is her most surprising work and contains characteristics from multiple forms; a reader can find elements of forms Cavendish worked on elsewhere and simultaneously recognize the text ... -
"Poems and Fancies with The Animal Parliament" Margaret Cavendish, Duchess of Newcastle. Ed. Brandie R Siegfried" Review
Brataas, Delilah Anne B (Peer reviewed; Journal article, 2019) -
The Blurring of Genus, Genre, and Gender in Margaret Cavendish’s Sociable Letters
Brataas, Delilah Anne B (Journal article; Peer reviewed, 2019)The Blazing World was the first utopia in English written by a woman, and likely, the first science fiction text in English. Yet it was not Margaret Cavendish’s only utopic text. The separatist spaces of her plays, and the ... -
The Shadow’s Shadow,or Gendered Ambition in Asta Nielsen’s 1921 Hamlet
Brataas, Delilah Anne B (Journal article; Peer reviewed, 2018)William Shakespeare’s Hamlet was the subject of at least 13 silent films, yet Asta Nielsen’s 1921 Hamlet, directed by Svend Gade and Heinz Schall, was unique on several levels, with neither the play’s familiar language nor ...