Vis enkel innførsel

dc.contributor.authorFinke, Ståle Rainer Strøm
dc.contributor.authorNetland, Thomas
dc.contributor.authorSolli, Mattias
dc.identifier.citationPhenom Cogn Sci (2023)en_US
dc.description.abstractThis article takes its point of departure from the second (embodied) linguistic turn represented by the enactivist notion of humans as linguistic bodies, using resources from Hans Georg Gadamer in order to propose a view of the relation between art and everyday experience as one of symbolic transformation. Conceiving art as a form of linguistic phenomenon wherein one can engage in original situations of communication, this view rejects both autonomist and direct continuity views of the art-everyday relation. We start by situating the idea of linguistic bodies within the enactive approach, spelling out relevant aspects concerning the significance of language for human life and perception (Sect. 2). Then we embark on a discussion of aspects of Shaun Gallagher’s and Alva Noë’s enactivist perspectives on art experience, highlighting places where their views align with and depart from ours (Sect. 3). The last two sections aim to lay out the transformative view in more detail, proposing a pluralistic understanding of art media and a view of art and art experience as modes of ideational, embodied thought (Sects. 4 and 5).en_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.titleArt and linguistic bodies: a transformative viewen_US
dc.title.alternativeArt and linguistic bodies: a transformative viewen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.source.journalPhenomenology and the Cognitive Sciencesen_US

Tilhørende fil(er)


Denne innførselen finnes i følgende samling(er)

Vis enkel innførsel

Navngivelse 4.0 Internasjonal
Med mindre annet er angitt, så er denne innførselen lisensiert som Navngivelse 4.0 Internasjonal