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dc.contributor.authorKlöckner, Christian Andreas
dc.contributor.authorSommer, Laura K.
dc.date.accessioned2022-03-01T09:34:02Z
dc.date.available2022-03-01T09:34:02Z
dc.date.created2021-11-26T12:13:00Z
dc.date.issued2021
dc.identifier.citationPLOS ONE. 2021, 16 (2), .en_US
dc.identifier.issn1932-6203
dc.identifier.urihttps://hdl.handle.net/11250/2981986
dc.description.abstractThis paper suggests and tests a psychological model of environmental art perception and subsequent support for climate change policies. The model is based on findings from art perception and environmental psychology, which indicate that the response of the viewer to the artwork is (1) first an emotional reaction, which can be positive and/or negative. The emotional activation leads to (2) evaluation of the perceived quality of the artwork. This forms the first impression of the artwork the viewer gets, which then triggers (3) reflections on the artwork that are finally related to support for climate policies. The model test uses data collected at the ArtCOP21 that accompanied the 21st UN climate summit in Paris. At 37 connected events, the research team collected 883 audience responses with a brief quantitative paper-pencil questionnaire. The data were analyzed using a multilevel-structural equation modeling approach. Results support the suggested theoretical model. Moreover, the effect of reflections on the artwork on support for climate policies is moderated by environmental attitudes, meaning the lower the environmental attitudes, the higher the effect of reflections on policy support. Finally, artwork features like color, size, displaying something personal, etc., could be identified that had a significant relation to differences on the artwork level regarding the first impression of the artwork and the reflections elicited. The study shows that being confronted with climate change-related artwork relates at least in the short run to increased climate policy support, which is mostly channeled through an emotional activation with following cognitive processing. Features of the artwork relate to how strongly and which emotions are activated.en_US
dc.language.isoengen_US
dc.publisherPublic Library of Scienceen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleVisual art inspired by climate change-An analysis of audience reactions to 37 artworks presented during 21st UN climate summit in Parisen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.source.pagenumber0en_US
dc.source.volume16en_US
dc.source.journalPLOS ONEen_US
dc.source.issue2en_US
dc.identifier.doi10.1371/journal.pone.0247331
dc.identifier.cristin1959687
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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