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dc.contributor.authorMartin, Rosemary Kate
dc.date.accessioned2020-08-25T07:43:53Z
dc.date.available2020-08-25T07:43:53Z
dc.date.created2020-02-16T14:15:26Z
dc.date.issued2020
dc.identifier.issn1757-1871
dc.identifier.urihttps://hdl.handle.net/11250/2673778
dc.description.abstractThis article shares methodological meanderings that sit at the intersection of embodiment and improvised dance ethnography. Comprised of a series of personal reflections on fieldwork, the query of ‘how does ethnography feel for the researcher?' is explored. While questions pertaining to feelings researchers encounter in the field have been probed with some depth in existing literature, these are not always connected to how the feelings of the researcher are embodied at a somatic level. Through sharing two narratives of challenging moments I have confronted in fieldwork, ideas around notions of embodiment, performing and fear, and violence and vulnerability are illuminated. Through unpacking how improvisational ethnography plays out from an embodied place, from my lived experiences as a dance researcher, there is the potential for fostering a more fully developed somatic understanding of ethnographic dance research as a practice.en_US
dc.language.isoengen_US
dc.publisherIntellecten_US
dc.titleFeeling the Field: Reflections on Embodiment within Improvised Dance Ethnographyen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionacceptedVersionen_US
dc.source.journalJournal of Dance & Somatic Practicesen_US
dc.identifier.doihttp://dx.doi.org/10.1386/jdsp_00005_1
dc.identifier.cristin1794467
dc.description.localcodeThis is a post-peer-review, pre-copyedit version of an article. Locked until 1.12.2020 due to copyright restrictions. The final authenticated version is available online at: https://doi.org/10.1386/jdsp_00005_1en_US
cristin.unitcode194,67,80,0
cristin.unitnameInstitutt for lærerutdanning
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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