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dc.contributor.authorOutzen, Mads
dc.date.accessioned2019-12-11T08:10:13Z
dc.date.available2019-12-11T08:10:13Z
dc.date.created2019-07-02T12:44:23Z
dc.date.issued2019
dc.identifier.citationShort Film Studies. 2019, 9 (2), 215-218.nb_NO
dc.identifier.issn2042-7824
dc.identifier.urihttp://hdl.handle.net/11250/2632580
dc.description.abstractThis article reflects upon the audio-visual essay as academic work and work of art, exploring Martin and Álvarez López’ short to demonstrate that this form of cinematic experimentation is indeed both things – providing analytical examination of the cinema of Víctor Erice as well as creating a new poetic experience in itself.nb_NO
dc.language.isoengnb_NO
dc.publisherIntellectnb_NO
dc.titleHaunting analysis: The audio-visual essaynb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionacceptedVersionnb_NO
dc.source.pagenumber215-218nb_NO
dc.source.volume9nb_NO
dc.source.journalShort Film Studiesnb_NO
dc.source.issue2nb_NO
dc.identifier.doi10.1386/sfs.9.2.215_1
dc.identifier.cristin1709338
dc.description.localcodeThis is a post-peer-review, pre-copyedit version of an article. Locked until 1.4.2020 due to copyright restrictions.nb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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