dc.contributor.author | Outzen, Mads | |
dc.date.accessioned | 2019-12-11T08:10:13Z | |
dc.date.available | 2019-12-11T08:10:13Z | |
dc.date.created | 2019-07-02T12:44:23Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | Short Film Studies. 2019, 9 (2), 215-218. | nb_NO |
dc.identifier.issn | 2042-7824 | |
dc.identifier.uri | http://hdl.handle.net/11250/2632580 | |
dc.description.abstract | This article reflects upon the audio-visual essay as academic work and work of art, exploring Martin and Álvarez López’ short to demonstrate that this form of cinematic experimentation is indeed both things – providing analytical examination of the cinema of Víctor Erice as well as creating a new poetic experience in itself. | nb_NO |
dc.language.iso | eng | nb_NO |
dc.publisher | Intellect | nb_NO |
dc.title | Haunting analysis: The audio-visual essay | nb_NO |
dc.type | Journal article | nb_NO |
dc.type | Peer reviewed | nb_NO |
dc.description.version | acceptedVersion | nb_NO |
dc.source.pagenumber | 215-218 | nb_NO |
dc.source.volume | 9 | nb_NO |
dc.source.journal | Short Film Studies | nb_NO |
dc.source.issue | 2 | nb_NO |
dc.identifier.doi | 10.1386/sfs.9.2.215_1 | |
dc.identifier.cristin | 1709338 | |
dc.description.localcode | This is a post-peer-review, pre-copyedit version of an article. Locked until 1.4.2020 due to copyright restrictions. | nb_NO |
cristin.unitcode | 194,62,35,0 | |
cristin.unitname | Institutt for kunst- og medievitenskap | |
cristin.ispublished | true | |
cristin.fulltext | postprint | |
cristin.qualitycode | 1 | |