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dc.contributor.authorBruun, Ellen Foyn
dc.date.accessioned2019-09-05T09:03:06Z
dc.date.available2019-09-05T09:03:06Z
dc.date.created2014-05-20T08:02:05Z
dc.date.issued2014
dc.identifier.citationNordic Theatre Studies. 2014, 25 34-45.nb_NO
dc.identifier.issn0904-6380
dc.identifier.urihttp://hdl.handle.net/11250/2612603
dc.description.abstractThe article proposes that non-hierarchical participatory models in the lineage of communitybased arts practice might offer interesting strategies for mainstream, professional Norwegian theatre today. The article argues that the P:UNKT project at Akershus Theatre initiated with the purpose of supporting integration in the region, offered a significant opportunity for the professional, state-funded theatre to enhance its relationship with the population. The research study demonstrates that the P:UNKT project entailed several dilemmas and tensions embedded in the social-cultural context that was challenging to negotiate. The analysis of the different perspectives involved will demonstrate that the project was not only potentially transformative for the non-professional participants but also for the host theatre itself. Through P:UNKT the theatre developed new ways of creating relationship and collaboration with the population in the region. This strengthened the audience infrastructure and the connectedness with the community. The article argues that the project potentially offered an opportunity for Akershus Theatre to develop innovative practice and to redefine its own purpose as an arts institution in a multicultural Norway in the twenty-first century. Key words applied are: theatre, cultural democracy, participatory collaboration models and diversity in a Norwegian cultural-political context.nb_NO
dc.language.isoengnb_NO
dc.publisherAssociation for Nordic Theatre Scholarsnb_NO
dc.subjectTeaterpolitikknb_NO
dc.subjectTheatre policynb_NO
dc.subjectAnvendt teaternb_NO
dc.subjectApplied dramanb_NO
dc.titleDiversity on the Norwegian Stage: Whose Story is it Anyway?nb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionacceptedVersionnb_NO
dc.subject.nsiVDP::Teatervitenskap: 172nb_NO
dc.subject.nsiVDP::Theatre studies: 172nb_NO
dc.source.pagenumber34-45nb_NO
dc.source.volume25nb_NO
dc.source.journalNordic Theatre Studiesnb_NO
dc.identifier.cristin1133524
dc.relation.projectNorges teknisk-naturvitenskapelige universitet: 444762nb_NO
dc.description.localcode© 2014. This is the authors' accepted and refereed manuscript to the article.nb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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