| dc.contributor.advisor | Melania Bucciarelli | |
| dc.contributor.author | Ingri Bjørnerud | |
| dc.date.accessioned | 2019-05-24T14:00:41Z | |
| dc.date.available | 2019-05-24T14:00:41Z | |
| dc.date.issued | 2018 | |
| dc.identifier.uri | http://hdl.handle.net/11250/2598713 | |
| dc.description.abstract | I sitt essay 'Death of the Author' argumenterte Barthes for at man ikke skulle ta utgangspunkt i et kunstverks auteur (forfatter) når man vil finne mening i det. Hvordan passer dette med Busenello og Monteverdis opera L'incoronazione di Poppea? Hvor godt grunnlag er det for å ta utgangspunkt i disse auteurene når man vil finne dypere mening i operaen? I hvilken grad formes Busenello av sitt medlemskap i Accademia degli Incogniti? Finnes det andre innflytelser enn operaens auteurer, er de like viktige for operaen? | |
| dc.description.abstract | In his essay 'Death of the Author', Barthes argued that one should not be based the auteur (author) when one wants to find meaning in art it. How does this match with Busenello and Monteverdi's opera L'incoronazione di Poppea? Is there a basis for starting with these authors when you want to find deeper meaning in the opera? To what extent is Busenello influenced by his membership in Accademia degli Incogniti? Are there any other influences than the operas anteurs, are they equally important to the opera? | |
| dc.language | nob | |
| dc.publisher | NTNU | |
| dc.title | L'incoronazione di Poppea | |
| dc.type | Bachelor thesis | |
