| dc.contributor.author | Mitrovic, Branko | |
| dc.date.accessioned | 2019-02-19T12:28:25Z | |
| dc.date.available | 2019-02-19T12:28:25Z | |
| dc.date.created | 2018-11-04T13:53:11Z | |
| dc.date.issued | 2018 | |
| dc.identifier.citation | British Journal of Aesthetics. 2018, 58 (2), 147-163. | nb_NO |
| dc.identifier.issn | 0007-0904 | |
| dc.identifier.uri | http://hdl.handle.net/11250/2586274 | |
| dc.description.abstract | In the philosophy and psychology of perception there exists a long-standing debate about the detachability of the visual from the conceptual contents of perception. The article analyses the implications of this dilemma for the attribution of aesthetic properties independent of the classification of aesthetic objects and the possibility of (moderate) aesthetic formalism. | nb_NO |
| dc.language.iso | eng | nb_NO |
| dc.publisher | Oxford University Press | nb_NO |
| dc.title | Visuality and Aesthetic Formalism | nb_NO |
| dc.type | Journal article | nb_NO |
| dc.type | Peer reviewed | nb_NO |
| dc.description.version | acceptedVersion | nb_NO |
| dc.source.pagenumber | 147-163 | nb_NO |
| dc.source.volume | 58 | nb_NO |
| dc.source.journal | British Journal of Aesthetics | nb_NO |
| dc.source.issue | 2 | nb_NO |
| dc.identifier.doi | 10.1093/aesthj/ayy001 | |
| dc.identifier.cristin | 1626733 | |
| dc.description.localcode | This is a pre-copyedited, author-produced version of an article accepted for publication in British Journal of Aesthetics following peer review. Locked until 16.03.2020 du to copyright restictions. The version of record is available online at: https://doi.org/10.1093/aesthj/ayy001 | nb_NO |
| cristin.unitcode | 194,61,55,0 | |
| cristin.unitname | Institutt for arkitektur og teknologi | |
| cristin.ispublished | true | |
| cristin.fulltext | postprint | |
| cristin.qualitycode | 2 | |
