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dc.contributor.authorGjelsvik, Anne
dc.date.accessioned2018-09-21T06:59:41Z
dc.date.available2018-09-21T06:59:41Z
dc.date.created2018-09-17T14:31:12Z
dc.date.issued2018
dc.identifier.citationJournal of Aesthetics and Culture. 2018, 10 38-47.nb_NO
dc.identifier.issn2000-4214
dc.identifier.urihttp://hdl.handle.net/11250/2563779
dc.description.abstractThis article discusses the Norwegian film The Pyromaniac (Erik Skjoldbjærg 2016) as an artistic attempt to come to terms with terrorism, and as a cinematic treatment of the Norwegian terror attacks of 22nd of July 2011. The film is discussed in relation with several written accounts on 22nd of July and focus is on the role of the individual, the family and the society when it comes to guilt and shame following incomprehensible events.nb_NO
dc.language.isoengnb_NO
dc.publisherTaylor & Francisnb_NO
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleOutsiders and bystanders in Erik Skjoldbjærg's The Pyromaniac (2016)nb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.pagenumber38-47nb_NO
dc.source.volume10nb_NO
dc.source.journalJournal of Aesthetics and Culturenb_NO
dc.identifier.doihttps://doi.org/10.1080/20004214.2018.1438731
dc.identifier.cristin1610214
dc.relation.projectNorges forskningsråd: 251216nb_NO
dc.description.localcode© 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.nb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode2


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