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dc.contributor.authorRasmussen, Bjørn K.
dc.date.accessioned2017-11-17T09:19:14Z
dc.date.available2017-11-17T09:19:14Z
dc.date.created2017-02-20T08:53:35Z
dc.date.issued2017
dc.identifier.citationInternational Journal of Education and the Arts. 2017, 18 (8), 1-17.nb_NO
dc.identifier.issn1529-8094
dc.identifier.urihttp://hdl.handle.net/11250/2466813
dc.description.abstractArts education are understood and implemented by ways of different discourses. Following critical discourse theory, discourses are part of power strategies and they predominantly fight for dominance. What this means is that certain discourses and accompanying practices of arts education may rule and others may be subordinated or neglected. A review of current Norwegian publicly funded arrangements on arts and education shows competing discourses, which seem subordinate to a dominant Eurocentric arts institutional discourse. The general use of high art "quality" as a nodal point in most arrangements supports the argument. Through contemporary practices of social circus outside Europe, such as "Circus du Monde", and by an exemplar project, The Circus Lab, a collaboration between Norway and Portugal, a different discourse of cultural democracy and education (formation) is seen and expressed. This discourse seems to be less visible in the European context of publicly funded arrangements, where professional training, exposition to the cultural canons and audience participation still seem to monitor the comprehension and act as discursive triggers by which policies are governed. Among the consequences are lost opportunities of collaborative practices between the competent adult and the competent child.nb_NO
dc.language.isoengnb_NO
dc.publisherThe Pennsylvania State Universitynb_NO
dc.rightsNavngivelse-Ikkekommersiell 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/deed.no*
dc.titleArts Education and Cultural Democracy: The Competing Discoursesnb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionpublishedVersionnb_NO
dc.source.pagenumber1-17nb_NO
dc.source.volume18nb_NO
dc.source.journalInternational Journal of Education and the Artsnb_NO
dc.source.issue8nb_NO
dc.identifier.cristin1452081
dc.description.localcode© 2017 The Authors. Published by Pennsylvania State University. This is an open access article under the Creative Commons Attribution Non-Commercial License (CC BY-NC).nb_NO
cristin.unitcode194,62,35,0
cristin.unitnameInstitutt for kunst- og medievitenskap
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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Navngivelse-Ikkekommersiell 4.0 Internasjonal
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