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dc.contributor.authorFarup, Ivar
dc.date.accessioned2017-10-24T12:06:58Z
dc.date.available2017-10-24T12:06:58Z
dc.date.created2014-09-22T11:50:39Z
dc.date.issued2014
dc.identifier.citationJournal of Mathematics and Music - Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance. 2014, 8 (1), 25-39.nb_NO
dc.identifier.issn1745-9737
dc.identifier.urihttp://hdl.handle.net/11250/2461820
dc.description.abstractA novel parametric circulating temperament is presented using a constructive approach. The temperament is optimal with respect to a heuristically chosen set of musical requirements. It is parametric in the sense that the tempering of the narrowest (i.e. closest to pure) major third can be freely chosen. Equal temperament arises as a limiting case. The temperament is optimal in the sense that the tempering of the widest major third and the narrowest fifth is minimized given the size of the least tempered major third. Also, under this constraint, the tempering of the major thirds closest to the least tempered third along the circle of fifths is minimized. The remaining degree of freedom is used to minimize the number of unique intervals. The resulting temperament exhibits various symmetries, and has, in general, two differently sized fifths and five differently sized major thirds. The temperament has no historic relevance as such, but can find good uses within all keyboard music from early baroque till today due to the selection of optimization criteria that closely follow historical requirements for good temperaments. With some exercise it can be tuned by ear.nb_NO
dc.language.isoengnb_NO
dc.publisherTaylor & Francisnb_NO
dc.titleConstructing an optimal circulating temperament based on a set of musical requirementsnb_NO
dc.typeJournal articlenb_NO
dc.typePeer reviewednb_NO
dc.description.versionacceptedVersionnb_NO
dc.source.pagenumber25-39nb_NO
dc.source.volume8nb_NO
dc.source.journalJournal of Mathematics and Music - Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performancenb_NO
dc.source.issue1nb_NO
dc.identifier.doi10.1080/17459737.2013.847978
dc.identifier.cristin1156621
dc.description.localcodeThis is an Accepted Manuscript of an article published by Taylor & Francis in [Journal of Mathematics and Music] on [18 Feb 2014], available at http://www.tandfonline.com/doi/abs/10.1080/17459737.2013.847978nb_NO
cristin.unitcode194,18,21,70
cristin.unitnameNorwegian Media Technology Lab
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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