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dc.contributor.advisorNylander, Larsnb_NO
dc.contributor.authorIngebrigtsen, Martenb_NO
dc.date.accessioned2014-12-19T13:10:01Z
dc.date.available2014-12-19T13:10:01Z
dc.date.created2014-09-08nb_NO
dc.date.issued2014nb_NO
dc.identifier744280nb_NO
dc.identifier.urihttp://hdl.handle.net/11250/244362
dc.description.abstractIn this MA-thesis, I investigate the usage of musical terminology in the study of modern, post-metric poetry. I present the theoretical field «musico-literary studies», and point to some examples of inconsistent vocabulary in the critical debate on musicalized poetry. I also examine the effectiveness of the musical analogy in the analysis of poetic texts, and put this to the test in three textual analyses: «Some soldier wrote» by Ursula Andkjær Olsen, «Absentia animi» by Gunnar Ekelöf and Solaris korrigert by Øyvind Rimbereid. The thesis concludes that the musical analogy and the use of a musical vocabulary should be used with some care. Although it can often highlight interesting compositional and even thematic aspects of poetic texts, the analogy only becomes fully functional when the text is structured by the same principles as the musical form in question.nb_NO
dc.languagenornb_NO
dc.publisherNorges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for språk og litteraturnb_NO
dc.subjectmusico-literary studiesno_NO
dc.subjectursula andkjær olsenno_NO
dc.subjectøyvind rimbereidno_NO
dc.subjectgunnar ekelöfno_NO
dc.titleDiktet som partitur: Musikkbegrepers relevans i analysen av moderne, postmetrisk lyrikknb_NO
dc.typeMaster thesisnb_NO
dc.source.pagenumber100nb_NO
dc.contributor.departmentNorges teknisk-naturvitenskapelige universitet, Det humanistiske fakultet, Institutt for språk og litteraturnb_NO


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