Sammendrag
The unequal power dynamics between Taiwan, and China, Sápmi and Norway is complex and multifaceted, with historical and cultural factors shaping the relationships between notions of people, place, and sovereignty. This thesis and Master project conducts site-specific research in Sápmi, where I explore and juxtapose narratives around my Taiwanese ancestry with the impacts of Norwegian colonization of Sámi land and culture. Through artistic investigation and curatorial engagement, the project seeks to reinvigorate the potential of art as a political tool for protest, opening discussion and debate around issues of contemporary cultural identity and external influence. In particular, this vulnerable aesthetic investigation reflects upon the challenges faced by communities affirming their cultural roots in the face of external forces, such as new forms of colonization in the context of the global energy crisis, catalyzed by climate change and war in Ukraine. By looking at the case of Fosen where Sami reindeer herders are seeking protection from wind energy projects encroaching on their reindeer herding land, the project aims to explore through art the potential impacts of the energy crisis on traditional Sámi culture, particularly the practices of reindeer herding. Overall, the project through artistic means aims to foster political awareness and cultural exchange between people and places.