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dc.contributor.advisorHacioglu, Yasemin Nurcan
dc.contributor.authorLien, Ola
dc.date.accessioned2022-07-05T17:21:21Z
dc.date.available2022-07-05T17:21:21Z
dc.date.issued2022
dc.identifierno.ntnu:inspera:106680562:46782170
dc.identifier.urihttps://hdl.handle.net/11250/3002880
dc.description.abstract
dc.description.abstractIn this case, I will examine two tales, published in different decades. To be more specific, this text will examine the “masculine representations” in both “The Bloody Chamber”, written by Angela Cater in 1979, as well as The Orphan, written by Amelia Opie in 1806. Furthermore, overall topic in which I will examine is the masculine representation in both of the texts, which will be defined by the way in which masculinity is represented, especially through the characteristics and behavior of the masculine characters in the different stories. This paper will focus on each of the most prominent masculine representations throughout each text, which is the Marquis in “The Bloody Chamber” and Douglas in The Orphan. However, to fully examine the role and extent of the masculine representations, it will also be highlighted through other characters as well
dc.languageeng
dc.publisherNTNU
dc.titleVariations in the representation of masculinity in “The Bloody Chamber” (1979) by Angela Carter and “The Orphan” (1806) by Amelia Opie
dc.typeBachelor thesis


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