dc.contributor.editor | Leyda, Julia | |
dc.contributor.editor | Denson, Shane | |
dc.date.accessioned | 2017-03-20T16:03:06Z | |
dc.date.available | 2017-03-20T16:03:06Z | |
dc.date.created | 2016-11-16T09:37:57Z | |
dc.date.issued | 2016 | |
dc.identifier.citation | http://reframe.sussex.ac.uk/post-cinema/ | nb_NO |
dc.identifier.isbn | 9780993199639 | |
dc.identifier.uri | http://hdl.handle.net/11250/2434779 | |
dc.language.iso | eng | nb_NO |
dc.publisher | REFRAME Books | nb_NO |
dc.relation.uri | http://reframe.sussex.ac.uk/post-cinema/ | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/deed.no | * |
dc.title | Post-Cinema: Theorizing 21st-Century Film | nb_NO |
dc.type | Book | nb_NO |
dc.source.pagenumber | 1012 | nb_NO |
dc.identifier.cristin | 1400877 | |
dc.description.localcode | Open Access book. Copyright chapters © 2016 Individual Authors and/or Original Publishers. Copyright collection © 2016 The Editors. Copyright e-formats, layouts & graphic design © 2016 REFRAME Books. The book is shared under a Creative Commons license:Attribution / Noncommercial / No Derivatives, International 4.0 (http://creativecommons.org/licenses/by-nc-nd/4.0/). | nb_NO |
cristin.unitcode | 194,62,35,0 | |
cristin.unitname | Institutt for kunst- og medievitenskap | |
cristin.ispublished | true | |
cristin.fulltext | original | |